Kim Coon

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Kim Coon is a familiar face in the motorsports industry. She has spent the last ten years covering NASCAR, ARCA and motorcycle racing and recently has been seen co-hosting “Off The Grid” on NBC Sports as well as NASCAR’s popular “Glass Case of Emotion” podcast with driver Ryan Blaney.

She is best known for serving as an official spokesperson for NASCAR – acting as a liaison between fans and the exciting world of racing, while activating the title sponsor’s strategic plan through social media, broadcast channels and trackside events.

She currently serves as a pit road reporter for MRN in all three national NASCAR series. When she isn’t at a race track, she’s busy hosting digital assets and live events for NASCAR. Kim also regularly joins the morning news broadcast for WCCB Charlotte, The CW.

Born and raised in Orlando, Florida, Kim got her bachelor’s from the University of Miami (FL), where she double majored in Broadcasting and Religious Studies. She received her master’s in Integrated Marketing Communications from the University of Alabama. While attending Miami, Kim was a member of the university’s dance team. She also spent two seasons cheering in the NFL for the Carolina Panthers.

She currently resides in Charlotte, North Carolina. Kim loves getting her hands dirty with DIY home improvement projects, antique hunting and painting. She is also an avid reader and is always eager to loan from her collection of books.

Articles

UConn men victorious...Women's title game Tuesday night

ARLINGTON, Texas (AP) — Connecticut raced out to a 30-15 lead and beat Kentucky 60-54 to win the NCAA men's basketball tournament to become the first No. 7 seed to win the title. Shabazz Napier led the Huskies with 22 points, six rebounds, three assists and three steals.

Fla. pastor on trial in NYC fake Hirst art case

NEW YORK (AP) — A Miami pastor knowingly peddled phony examples of some of British art star Damien Hirst's signature themes, prosecutors said in summing up his trial Monday, but the defense claims he was just an art-market novice who couldn't read red flags about the pieces' authenticity.